COMPASS IN HAND: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Publisher: The Museum of Modern Art, NY, 2009
Author: Christian Rattemeyer
Interview: Harvey S. Shipley Miller by Gary Garrels

Compass in Hand brings together approximately 250 works from the Judith Rothschild Foundation's extraordinary gift of over 2,500 drawings to The Museum of Modern Art in 2005. Formed over two years by Harvey S. Shipley Miller (the Foundation's trustee), the collection was conceived to be a broad survey of contemporary drawing practive. It more than fulfills that goal, juxtaposing drawings of the 1960s and 1970s with major works of the past twenty years by such artists as Kai Althoff, R. Crumb, Peter Doig, Marcel Dzama, Mark Grotjahn, Charline von Heyl, Martin Kippenberger, Sherrie Levine, Agnes Martin, Fred Sandback, Paul Thek, and Andrea Zittel, among many others.

Hardcover, 320 pages, 408 color reproductions
ISBN-10: 0870707450
ISBN-13: 978-0870707452
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The Judith Rothschild Foundation Contemporary Drawings Collection CATALOG RAISONNE

Publisher: The Museum Of Modern Art, NY, 2009
By Christian Rattemeyer
Essays by Scott Gerson, Isabelle Graw, Martin Herbert, Manfred Hermes, Brian Sholis, Jan Tumlir

The Judith Rothschild Foundation Contemporary Drawings Collection was formed by Harvey S. Shipley Miller, trustee of the Foundation, and given to The Museum of Modern Art in 2005. This definitive volume presents the collection as a whole, with an introduction by Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator of Drawings at the Museum, a text on paper conservation by Scott Gerson, Assistant Paper Conservator at MoMA, and five essays each focusing on a different geographic area of artistic production.

Hardcover, 296 pages, 930 b/w images.
ISBN: 978-0-87070-751-3
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VITAMIN D: New Perspectives in Drawing

Publisher: Phaidon Press, 2005
by Emma Dexter

Drawing has recently experienced a renewal of importance in the art world and has rarely been as widely represented in biennials, art fairs, and exhibitions as it is now. Similar in concept, scope, and structure to Phaidon's successful volume Vitamin P, Vitamin D presents, in A-Z order, the work of 109 artists who have emerged internationally since 1990. All use drawing as a primary medium. Whether representational or abstract, small or large in scale, using only one line or rich in colors and pattern, drawings have a highly descriptive and meticulously detailed quality that is being explored by an increasing number of contemporary artists. Extending beyond images traditionally associated with this medium, Vitamin D illustrates the complexity, variety, and relevance of the practice of drawing today.

Hardcover, 352 pages
ISBN-10: 0714845450
ISBN-13: 978-0714845456
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NEW YORK, NEW DRAWINGS 1946-2007

Publisher: Museo De Arte Contemporáneo Esteban Vicente, Segovia Spain, 2009
Text by Elizabeth Finch
Interview by William Corbett

New York: New Drawings 1946-2007 is a selection of 117 works on paper, mostly Minimalist and Post-Minimalist, from the famous Wynn Kramarsky drawings collection. This beautifully curated collection includes works by William Anastasi, Carl Andre, Robert Barry, Trisha Brown, Eva Hesse, Kristin Holder, Nancy Holt, Jasper Johns, Donald Judd, Ellsworth Kelly, Win Knowlton, Barry Le Va, Sol Lewitt, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Ed Ruscha, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson and countless others. Following an introductory essay by Elizabeth Finch and a conversation between Wynn Kramarsky and poet/art critic William Corbett, 27 artists from the collection contribute written responses and reflections--poems, interviews, aphorism, homages--on the drawings included. Among these respondents are William Anastasi, Dove Bradshaw, Karen Schiff, Joel Schapiro, Lawrence Weiner, Marjorie Welish and Terry Winters.

Hardcover: 324 pages, 117 color images
ISBN-10: 8493600458
ISBN-13: 978-8493600457
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ART AND TEXT

Publisher: Black Dog Publishing, 2009
Editor: Aimee Selby
Contributors: Dave Beech, Charles Harrison, Will Hill

Art and Text covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day. The use of written language has been one of the most defining developments in visual art of the twentieth century. Art and Text is a unique and timely survey of this most contemporary and relevant artistic tool. The use of text can be seen in some of the most avant-garde artwork of the twentieth century; René Magritte and dadaist artists used it to describe anti-art and anti-aesthetic sentiment. The work of some of the most famous conceptual artists of the 1960s began to use written language as an artwork in itself. Artists such as John Baldessari, Lawrence Weiner and Bruce Nauman, who are still today some of the world’s most respected artists, helped push the boundaries of what constitutes art at the time and it has continued to develop since that period. The expansive Art & Language group of artists and theorists, including Joseph Kosuth, also reconsidered the possibilities of ‘linguistic art.’ Contemporary artists continue to use this medium and expand its possibilities, which range from being a most direct and immediate means of artistic expression (Tracey Emin, Cy Twombly), to an effective socio-political artistic mechanism (BANK, Jean-Michel Basquiat, Jenny Holzer).

Hardcover, 288 pages
ISBN-10: 1906155658
ISBN-13: 978-1906155650
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MADE IN CALIFORNIA: Art, Image, and Identity 1900-2000

Publisher: University of California Press, 2000
Authors: Stephanie Barron, Ilene Susan Fort, Sheri Bernstein

This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.

Geographer Michael Dear has contributed a sweeping overview of the social history of California that examines the vibrant and sometimes turbulent conditions out of which the culture emerged. Essayist Richard Rodriguez closes the volume with a uniquely personal meditation on the Golden State.

P aperback, 344 pages, 389 color images, 162 duotones
ISBN-10: 0520227654
ISBN-13: 978-0520227651
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DRAWING FROM THE MODERN: 1975-2005

Publisher: Museum of Modern Art, NY, 2005
Jordan Kantor and Gary Garrels

The final installment in a series of catalogues of MoMA's drawings collection, "Drawing from the Modern, 1975 - 2003" tells the story of the years from 1975 to the present day as reflected through the Museum's unparalleled collection of works on paper. Featuring works from firmly established modern masters to the newest figures emerging in the art world today, it will serve as an essential resource for aficionados of works on paper and anyone interested in current trends in art today.

H ardcover, 232 pages, color and b/w reproductions
ISBN 0870706659
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THE DRAWING BOOK: A Survey of the Primary Means of Expression

Publisher: Black Dog Publishing
Editor: Tania Kovats
Contributors: Charles Darwent, Kate Macfarlane and Katharine Stout

The works in The Drawing Book, by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout, and art historian Charles Darwent. The Drawing Book takes us on a journey through five themes — measurement, nature, the city, dreams, and the body. Each is richly illustrated with a diverse range of images, from the old masters — Leonardo da Vinci, Botticelli, Dürer — through great Modernist pieces by Rodin, Picasso, Matisse, and on to the contemporary artists who are reviving drawing today. A new and unique approach to an age old medium.

P aperback, 320 pages, 260 b/w and color images
ISBN10: 1 904772 81 1
ISBN13: 978 1 904772 81 1
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SURF CULTURE: The Art History of Surfing

Publisher: Gingko Press, 2002

Designed by David Carson and published in conjunction with an exhibition at the Laguna Art Museum in July 2002, Surf Culture examines the history of modern surfboard design from 1900 to the present and features over 100 surfboards. It is the most comprehensive examination to date of surfing’s impact on western culture and its cultural bleed into mainstream. Both exhibition and book will explore surfing related activities and by-products such as skateboarding, surf photography, film, clothing, and music and make an assessment of their socio-economic impact. Works of art featured are all surf-influenced and by artists/surfers who have achieved prominence in either the art world or popular culture — Craig Kauffman, Billy Al Bengston, and Robert Irwin to name just a few. Guest curator for the exhibition is Craig Stecyk of Dysfunctional fame.

Paperback + hardcover, 240 pages, 250 color images
ISBN-13: 978-1-58423-113-4
ISBN-10: 1-58423-113-0
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STOKED! A History of Surf Culture

by Drew Kampion
Publisher: Gibbs Smith, 2003

In Stoked: A History of Surf Culture, surf journalist Drew Kampion traces the evolution of the modern beach culture and the challenging, beautiful sport that gave rise to it. From its Polynesian origins and the early days of Duke Kahanamoku's beach boys, to the California-style surfing cult that exploded in the 1960s, to the international pro circuits and radical big-wave contests of today, Stoked tells the compelling story that has inspired entire genres of music, movies, fashion, and art.

Hardcover: 224 pages, 150 color photographs
ISBN-10: 1586852132
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